ARTIST BIOGRAPHY
藝術家簡介
I am a multidisciplinary artist working primarily with ceramics, design, and mixed media. My practice explores the emotional and social dimensions of memory, interaction, and time. By combining diverse materials, I aim to create works that resonate personally while fostering dialogue across disciplines. I see art not only as an object but as a catalyst—for connection, learning, and reimagining how we relate to the world and to one another.
HONOURS PROJECT
畢業作品
Ceramics
陶瓷
sizes variable
In this piece, I explore the flow and reconstruction of emotions and thoughts. Each shard of broken ceramic represents a fragment of emotion, just as lines meander, extend, and eventually fracture. I release these emotions from their fixed forms, seeking new connections through reassembly. This process is not merely destruction, but deconstruction and reshaping, allowing inner emotions to be freed and presented in a new form. Like thoughts, emotions do not follow a straight path, but twist and evolve. Every line, every fragment, continues the traces of what was, expressing the ongoing flow of emotion.
在這件作品中，我探索了情感與思緒的流動與重構。每一塊碎瓷片都代表著情感的片段，這些情感像線條一樣，蜿蜒、延伸並最終斷裂。我將這些情感從固定的形態中釋放，並通過重組尋找新的連結。這個過程不僅是破壞，而是解構與重塑，將內心的情感釋放並以新的形式呈現。就如同思緒，情感不會直線前進，而是曲折變化。每一條線，每一塊碎片，都是在重構過程中延續著曾經的痕跡，表達情感的持續流動。
PREVIOUS WORK
過往作品
Ceramic, wood windows, light, 2024, 50 × 50 cm
“Only in the photo albums of people who click with each other will similar images appear.” This sentence is the central concept of this artwork. By collecting photos of window views taken by my friends, I reinterpreted their photos through my own way of painting. When combined with lighting, the ceramic pieces resemble glass windows, reflecting the scenery outside.
Crepe paper, white balloons, iron wires, hemp rope, balloon holders, 2022, about 160 cm high
During the covid- 19, some people who live alone are more difficulty to social at home. So, people are often alone, which makes them vulnerable to social anxiety. This makes people ignore the dangers of the disease and disregard the patient’s needs and feelings. Therefore, the flowers alone in the corner reflect this situation.
Acrylic on cotton canvas, clock movement, 2021, 20 ×30 cm
It is a movable clock to let people know that time is passing. I referenced the gameplay of Snakes and Kusama Yayoi's painting method. This work uses Snakes and Nian as a metaphor for procrastination patients, and then uses different time periods to express their mood changes in order to express the procrastination in today's society.
Viewing the work from left to right, the procrastinator suffers from feeling relaxed and finally feeling stressed. In addition, no brightener is used on the right. I want to present an unfinished effect to experience the mood of procrastination patients at the moment. I hope that after seeing this clock, people can not only remember the scourge of procrastination, but also understand to cherish time.