Dread Dress is a ceramic-fabric wearable embodying social anxiety as a physical burden. Unfired pins crumble in wear, leaving trails of dust. The body stiffens, constrained. In a performance, I stand immobilized at a crossroads, captured under public gaze. A material reckoning with shame, and the quiet suffering we are taught to carry alone. 

The series of soft sculptures featuring a withered plant, a pair of stretched headphones, and symmetrical bowls symbolises an attempt at familial reconnection. Through colour, form, and material, these objects convey the unspoken language of promise, joy, and distance, holding the fragility and resilience of the bonds.  

Amends traces the mending of a familial relationship through the stitching of a worn sock. What begins as an act of repair, thread weaving time’s fray, soon accelerates beyond control. The stitch tangles, snaps. In trying to restore, it destroys. The sock, once warmth, once protection, is now rendered useless.