CHOI Man Yim
Choi Man Yim is an artist who focuses on film photography. He shoots themes like empty streets, liminal space, and ruins. Choi enjoys communication with his camera and the space. Having digital photography experience for more than 3 years, Choi reached out to his extent and started his analogue photography journey with his film camera, discovering the possibility of photo shooting. The journey will be continued with his endless passion for photography.
Pigment on fabric
230cm x 306cm
The Aftermath is a captivating exploration of the intersection between real space and dreams. Through a large-scale photographic print of an empty hotel room, shot on film, the project challenges our understanding of tangible reality. It invites viewers to contemplate the lingering emotions and experiences imprinted upon the room’s walls, while also evoking a sense of nostalgia and mystery. By blurring the boundaries between what is objectively real and what is constructed within the depths of our minds, The Aftermath prompts us to reflect on the enigmatic nature of dreams and the uncanny sensation of déjà vu. It serves as a catalyst for introspection, inviting viewers to uncover hidden meanings and connections within their own experiences.
2023
Gelatin silver print on glossy photographic paper
20 cm x 25 cm
As time goes by, Hong Kong is not quite suitable for people to live in. As an ultra-compact city, this place contains the densest in traffic, population, and goods in the world. It forms an unbreathable city for humans to live in. Is it possible to bring back the lost memories?
The image is composed of the typical street element of Hong Kong. With the technique of double exposure, the images were layered on top of each other. The smaller images a some of the iconic elements of Hong Kong streets.
2022
Layout design, graphic design
The proposed magazine project aimed at introducing the pleasures of film photography to young people is a noble and worthwhile endeavor. In an era dominated by digital photography and smartphone cameras, there is immense value in exposing the next generation to the unique qualities and experiences of working with physical film.
One of the key strengths of this project is its potential to cultivate a deeper appreciation for the photographic process among young readers. Film photography involves a more tactile, deliberate, and patient approach compared to the instant gratification of digital image-making. The magazine could effectively highlight the sensory joys of loading film, hearing the mechanical whir of the camera, and carefully composing each frame, emphasizing how these steps foster a more contemplative and rewarding artistic practice.
Furthermore, the magazine’s design and overall presentation will be crucial in capturing the attention of its intended young audience. Utilizing a visually engaging layout, vibrant color palettes, and an approachable, conversational tone will be key to making the content resonate with the target demographic and fostering a sense of excitement and discovery.
2021
Cover and back page with Kenran paper (308gsm)
Inner page with Olin smooth paper (120gsm)
17.6cm x 25 cm (31 pages)
In this project, I created a magazine with the chosen topic of traditional shops in Hong Kong, Bing Shut. By conducting a formal interview with the shop owner of Wing Wah Bing Shut, I could gather Information to complete my magazine.