Circus of Mist is not a scene to be understood, but a place to be entered. The horse appears quietly, as if it has always existed in this fog-covered world, waiting for someone who remembers it. It is neither real nor unreal—just a soft interruption in time. The surface holds traces of sand, dust, and pigment that behave like memories: they cling, fade, then return again. Figures linger at the edge of the image, close yet unreachable, as if longing for something that cannot be named. Nothing in this world is fixed—the ground shifts, the air glows, and the horse stands like a promise that may dissolve at any moment. Viewers are invited not to decode the scene, but to wander inside it, until their own dreams begin to surface.

《霧之馬戲》是一個無需理解、只需進入的地方。馬靜靜地浮現，像一直存在於迷霧世界之中，等待被想起。沙泥與色粉留下的痕跡像記憶般若隱若現；人物與場景靠近又遙遠，似乎渴望著某個無法言說的存在。在這裡，一切都不固定——時間柔軟、空氣發光、馬彷彿下一秒就會消散。作品不是答案，而是一扇入口，引觀者迷失在自己的夢境裡。 

Phantom Carousel invites viewers into a mysterious, dreamlike world where imagination and reality intertwine. The four panels capture different angles of a carousel in motion, evoking a sense of rotation and rhythm. Deep purples dominate, creating an atmosphere of wonder, curiosity, and quiet intrigue. The use of clay adds tactile depth, giving the forms a subtle, textured presence. This series reflects fleeting moments, memory, and the emotions that surface when one is drawn into a space both familiar and uncanny, like a carousel spinning endlessly in a dream.  

《回旋幻馬》引領觀者進入神秘夢幻的世界，在那裡，想像與現實交錯。四幅畫作捕捉旋轉木馬在不同角度的律動感，深紫色調營造奇幻與神秘氣息。以泥塑造層次感，呈現旋轉中的微妙律動與情感，邀請觀者感受熟悉卻又陌生的奇妙世界。

In Where We Once Played, I use sand, twigs, clay, and pastels to layer a dream of nature and memory onto the weathered surface of an old canvas. Rough textures carry the grain of the earth, while hazy pastel hues render an ethereal forest scene, where white horses and fragmented structures emerging faintly from the mist. The work dissolves the boundaries of matter and spirit, allowing natural debris, traces of time, and subconscious imagery to coexist on the canvas, evoking a profound sense of primal vitality and the unknown. 

在《遊園》中，我以沙子、枯枝、泥土與色粉為媒介，在舊畫框的斑駁基底上，鋪陳一場關於自然與記憶的迷夢。粗糙的材質承載著土地的肌理，朦朧的粉彩色調暈染出氤氳的森林圖景——白馬與破碎的結構在迷霧中若隱若現。作品消解了物質與精神的邊界，讓自然的碎屑、時間的痕跡與潛意識的意象在畫布上共生，喚醒觀者對原始生命力與未知秘境的深層感知。