ARTIST BIOGRAPHY
藝術家簡介
HONOURS PROJECT
畢業作品
Installation
裝置
50 x 110 x 215 cm
This work starts from my own skin, which is often dry, cracked, itchy, and peeling. I use a bed as the main medium because it is the most intimate space between my body and daily life, where hidden traces of my skin are naturally left behind.
I enlarge and print my skin textures onto bedsheets and pillows, turning something private and usually hidden into something visible. Through this process, what I once saw as flaws begins to look like textures or landscapes of the body. The work is interactive: viewers can choose to lie on the bed. It invites reflection on how we perceive discomfort, intimacy, and the idea of an "imperfect" body.
PREVIOUS WORK
過往作品
This work comes from finally facing what I used to avoid.
Through photographing the folds, scratches, eczema, and marks on my skin, I began to see them differently — not as flaws, but as traces of memory, pressure, and past insecurity.
Instead of hiding them, I let them exist in the image.
I am working on rebranding the sport of “Shuttlecock” by designing a coffee shop with a Shuttlecock theme and creating unique characters. As a passionate Shuttlecock athlete, I aim to depict the sport in a captivating and innovative manner, breaking away from the conventional notion that Shuttlecock is outdated or unappealing.
It fits naturally into this structure-nature’s changes, the coexistence of good and bad, and the cycle of endings and new beginnings are all deeply connected to tarot’s core meanings.
More than just images, tarot is a way of interpretation and reflection. When someone draws a card, they bring their own perspective to it, which ties directly to your message: good and bad aren’t absolute; it all depends on how they are perceived.