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ARTIST BIOGRAPHY

藝術家簡介

Kwan Tsz Ching
關芷晴

 

 

Kwan Tsz Ching, Cleo

b. 2002, Hong Kong.

Cleo Kwan was born and raised in Hong Kong. Cleo is a visual artist specializing in mixed media and installation. Cleo’s work explores the intricate dynamics of human relationships, drawing from her personal experiences with diverse individuals—touching on themes of life, death, and connections shaped by distance. Through Cleo’s art, she delve into the complexities, meanings, and ambiguities of relationships, expressing the emotions and sentiments tied to each unique experience. Cleo employs a variety of techniques and art forms, including Chinese paintings that blend traditional methods with contemporary approaches and media. Cleo’s goal is to ignite conversations about the relationships that define our lives, inviting audiences to reflect on their own experiences. Cleo also aim to demonstrate how art and its mediums can narrate stories, convey emotions, and even heal the wounds tied to those experiences.

Website: https://tckwan0310.wixsite.com/cleo-kwan

HONOURS PROJECT

畢業作品

In the Beginning

  

Ink and colour on silk and gauze, Mixed medium Installation 

水墨設色絹本及紗本,跨媒介裝置 

  

200 x 170 x 110 cm 

  

 

 

"In the Beginning" is a mixed media installation with traditional Chinese painting and natural elements. It takes a symbolic garden composed of five specific plants, exploring themes of relationships, memory, life and death, and emotional connection. Combining both meticulous Gongbi and expressive Xieyi brushwork styles, the piece interacts with light and air to create a tranquil and spiritually resonant space. 

 

The work is a tribute to my younger sister, who passed away from kidney disease thirteen years ago. It holds my personal journey of religion beliefs and beginnings — a meditation on life and relationships, longing for the origin of the soul, and reflection on the bonds between people and the eternal. The featured plants — Angelica dahurica, sun daisy, Dieffenbachia, Baby's breath, and Lily bamboo — are representing my sister’s and my own names. Natural light and air within the installation symbolize the present moment and the hope to come.  

 

It is not only an expression of personal remembrance, but also an invitation for audiences to slow down, engage in inner dialogue, and find a sense of peace and release. 

 

《初》是一件結合傳統中國畫與自然元素的跨媒介裝置作品,由五種植物所構成的象徵花園,探討關係、記憶、生死與情緒的主題。工筆與寫意的筆法交錯,配合光與風的互動,營造出一個恬靜而且富有靈性層次的空間。 

 

表達對十三年前因腎病離世的妹妹的懷念,承載著個人的信仰經歷與啟程。象徵對生命與關係的思考——生命源頭的回望,靈魂歸屬的渴望。反思人與人、人與永恆之間的關係。當中的種植物——白芷、日光菊、萬年青、錐花絲石竹(滿天星)、百合竹,代表我與妹妹的名字——芷晴與筱筠。自然的光與風,在作品中象徵當下與盼望。 

 

作品不只是個人情感的寄託,而是讓觀眾能夠靜下來,與自己內在對話,從中找到一份平安與釋放。 

PREVIOUS WORK

過往作品

Beziehung (Relationship)

 

Performance Art Video (black and white), 8 mins 24 secs, Germany Weimar, Date of completion: 2024

 

 

Stretching chewing gum as facing emotions from relationships. The unpleasant emotions brought about by a torturous long-distance relationship, are symbolised by chewing gum, which is stretched from the mouth to different areas of the face, strangling the wrist and neck. The limitations, sense of powerlessness and isolation, and the conviction that things are utterly out of reach. Similar to chewing gum, relationships have sweetness and freshness at first, but no matter how much freshness is added, after chewing and stretching, they eventually become tasteless and bland. However, the gum was still eaten, one after another, despite being aware that it is eaten just to be spat out. It seemed as though it was destined to be. Despite all the negative aspects on oneself, the choice is to accept and coexist with the challenges of relationships. The same as going back to chewing through all of the extended chewing gum. This viscous cycle is symbolised by the clip’s repetition. This is the cycle of a relationship: masticate, relish, rupture, amendment, hatred, acceptance.

 

 

 

Limbo Fairy

凌波仙子 

2023

Materials: Glass (fusing and slumping), Painting Reel, Fishing lines, Size: 85 x 32 x 30 cm, Year: 2023 ; Narcissus (Calendula Silver Platform) Materials: Glass blowing vase, Size: 10 x 12 x 10 cm, Date of completion: 2023

 

 

Limbo fairy is also the alias of narcissus in Asia countries. The pure and clean flowers of daffodils are supernatural, elegant and fragrant, and they are particularly moving, just like Lingbo Fairy stepping on water, so they are called limbo Fairy. I think this alias is fit for the setup and arrangement of my work, The hanging part of the plant just like a flying fairy, and the spotlight also created a shining vibe for the main piece . I would like to present the Gongbi Painting in a three dimensional way, as traditional Gongbi painting mostly drawing in realistic style, so I want to use glass to present the smooth gradient of colours (like Gongbi painting). On top of the blowing glass is the engraved Gongbi painting of narcissus, as both (narcissus and glass) shared similar characteristic like clear, pure, noble. This project would like to explore more on mixed media and observation skills, like using glass to recreate paintings.

 

 

 

Stages of Relationship

 

Ceramic, wood board,  2023, 80 x 20 x 12 cm (whole piece)

 

 

This project explores the idea of how a relationship degrades over time. I utilised the unique hardening characteristics of ceramic clay to convey a relationship that has ended due to struggles with bonding and adjusting. The hardening of the clay felicitously symbolises the diminishing ability to change and adjust for each other in a relationship as it gets gradually more difficult to shape and combine. The cylinders in the state of raw clay is easily adjustable, depicting the beginning of a relationship where both people are willing and capable to change for better accommodation of each other. As the clay naturally proceeds to become leather hard, it becomes challenging to piece together, which the process will inevitably introduce cracks and breakages to the shape. This represents the arguments that appear in a relationshiphe broken pieces represents the irreparable cracks despite having "solved" an issue within a relationship. The final phase features one single bone dry cylinder with visible distortions which represents the emotional scars after a relationship, and that two people have separate. The phases featured in this piece are preserved through spraying of water, which naturally leads to moulding of the softer clay, this process symbolises no matter how hard someone attempts to maintain the state of the relationship, the underlying flaws will still inevitably surface.