ARTIST BIOGRAPHY
藝術家簡介
Nick works with charcoal and mixed media to explore the solitude and emotion of urban dwellers. With a realistic approach, he captures unspoken moments and transforms them into richly layered narratives. The gradations and textures of charcoal become traces of feeling, conveying quiet tension and psychological depth.
His work combines charcoal and ink, using the interplay of textures to respond to the fragmentation and reconstruction of memory and emotion in city life. For him, materials themselves carry stories, and the creative process becomes a dialogue between figuration and abstraction.
His art offers a gentle gaze upon contemporary alienation, seeing solitude not as emptiness but as a state waiting to be understood. Through concrete details that bear personal stories, he invites viewers to see their own experiences reflected, and to rediscover the silent connections between people.
劉霆豐以碳筆與混合材料，探討城市人的孤獨與情感。他以寫實手法捕捉難以言說的片刻並將其轉化為層次豐富的敘事。碳筆的濃淡與質感成為情感的痕跡，傳遞靜默的張力與心理深度。
他的創作融合了碳筆和墨水，以質感交織回應城市生活中記憶與情感的斷裂與重組。對他而言，材料本身承載故事，創作過程則是一場游移於具象與抽象之間的對話。
他的作品是對當代疏離感的溫柔凝視——孤獨並非虛無，而是等待被理解的狀態。藉由具體細節承載個人故事，他邀請觀者從中照見自身經驗，重新發掘人與人之間無聲的連結。
HONOURS PROJECT
畢業作品
Charcoal on paper
炭筆紙本
Set of 14, size variable
一組十四幅，尺寸可變
I wander in my hometown, lingering between reality and memory. I trace the echoes of childhood—— do they still remain?
This work embodies the bond and attachment between my hometown and me. As the old scenery fades over time, do our sense of belonging to this land still the same?
I capture this hometown in black and white. With every reunion, the dark tones in my drawings deepen once more. Black erases the past, while white bears the scars of time. The clash of reality and memory blurs our sense of identification with this land.
Meeting again, the homeland in memory is no longer the same. As years drift on, it vanishes from reality and fades into memory.
Look back —— No Trace of Return.
我漫步在故鄉，於現實和回憶中徘徊。追憶兒時的痕跡——它們是否尚存？
作品凝結我與故鄉的眷念牽繫。當故裏風物逐漸消逝，我們對土地的歸屬，是否依舊？
我以黑白定格那片鄉裏，每次重逢，畫中黑又濃了一分。它抹走了過往，留下滄痕的白。如現實與記憶的碰撞，模糊了我們的身份歸依 。
相逢 ，憶中故土，已然不同。隨歲月輪轉，于現實中匿跡，在記憶中隱沒。
慕然回首——無跡可歸。
PREVIOUS WORK
過往作品
2025
Charcoal on paper,
27 x 39 cm
The Aglaonema and Dracaena Sanderiana in our home were planted by my mother after being passed down from my grandmother; now it’s my turn to raise them.
These unchanging plants carry countless memories and emotional connections between us.
歲歲年年花相似，年年歲歲人不同。家裏擺放的如玉和富貴竹，母親從祖母那裏接手種植，現在輪到我來種植。
不變的如玉和富貴竹承載我們一段段回憶和情感連接。
2025
Charcoal on paper
19 x 27 cm
Succulents do not require frequent watering and are highly adaptable; generally, watering once every 1-2 weeks is sufficient.
They are suitable for busy urban people.
多肉植物無需頻繁澆水，適應性強，一般約 1-2 週澆水一次即可。
適合繁忙的都市人種植。
2025
Charcoal on paper
39 x 55 cm
The scars from my childhood, I have kept them, and will stay with me for life.
These are visible traumatic memories, a part of my childhood.
童年時留下的傷疤，我保留了它，將會伴隨我的一生。
這是可視的創傷記憶，也是我童年的一部分。