The work Ambiguity uses private objects and body-related images as a metaphor for emotions. It depicts intimacy and linkage with the use of buttons and underwear, creating a hazy and uncertain atmosphere, responding to the emotional essence of the work.  

作品《曖味》以私密物件與身體相關意象作為情感的比喻，透過鈕扣與內衣暗示親密與連結，以及營造出朦朧與不確定的氛圍，回應作品的情感本質。 

This series focuses on my cats, deliberately capturing their least ‘flattering' moments – open mouths, distorted faces, and unguarded expressions. Rather than choosing their cutest or most appealing appearances, I dwell on those almost comical, even ‘ugly' ones. 

To me, ‘ugliness' is not truly unpleasant, but a state of vulnerability. When all embellishment falls away, what remains is honesty and intimacy. It is within these imperfect moments that I experience the most genuine connection and love.  

這組作品以我的貓為對象，刻意捕捉牠們最「樣衰」的瞬間——張嘴、歪臉、神情失控的表情。我沒有選擇最可愛或討喜的樣子，而是停留在那些近乎滑稽，甚至被稱為「醜」的片刻。 

對我而言，「醜態」並非真正的醜，而是一種毫無防備的狀態。當修飾鬆脫，留下的是真實與親密；也正是在這些不完美的瞬間，我感受到最純粹的連結與愛。 

This work is inspired by The Legend of the White Snake. I have always been drawn to the story's beauty and subtle narration of sorrow. To me, it is not merely a conflict between humans and the spirit, but a legend about love and sacrifice. 

In the painting, the White Snake moves through the landscape, belonging to nature while also symbolizing the flow of emotion. Through soft and hazy tones, I create a space between reality and illusion, reflecting the story's gentle yet tragic beauty. For me, the White Snake is not a monster, but a being courageous enough to love. 

這件作品取材自《白蛇傳》。我一直被這個故事的優美與哀愁吸引。在我眼中，它不只是人與妖的對立，而是一段關於愛與犧牲的傳說。 

畫面中，白蛇穿梭於山水之間，既屬於自然，也象徵情感的流動。我以柔和而朦朧的色彩營造出介於真實與虛幻之間的空間，希望呈現故事中那份溫柔而帶有悲美的氣質。對我而言，白蛇並非妖異，而是一個勇敢去愛的存在。