I work with Chinese mineral pigment painting, shaped by my family’s religious beliefs. Using mural narrative, I explore the Taoist worldview and personal values, focusing on how faith and views on death shape identity. The narrative structure, sacred aura, and didactic power of the Dunhuang murals inspire me. I layer mineral pigments to emulate the traces of time. Works such as “City God Icon” and “My Funeral” combine mineral pigments with mural storytelling to present the Taoist view of death and respond to my inquiry into life and identity. My recent works depict the rustic environments and objects of my rural hometown, recording fading memories and the persistence of faith while articulating personal identity. Because I like vibrant colours and textured images, I’m currently researching how illustrations can capture these textures. 

我主要以中國岩彩為媒介，受家庭宗教信仰影響，以壁畫敘事探討道教世界觀與個人價值，聚焦信仰與死亡觀如何形塑身份。敦煌壁畫的敘事與神聖性、教化力量啟發我，我以礦物顏料疊色模擬歲月痕跡。 《城隍爺像》 《大吉利是》結合岩彩與壁畫敘事，呈現道教的死亡觀，回應我對生命與身份的探問。近作以家鄉農村的古樸環境與物件為題，記錄消逝的回憶與延續的信仰和表達個人身份。因為喜歡重彩和有質感的畫面，現在在研究插畫如何呈現這些質感。