以我見我 

1: The stench of blood and the throbbing pain accumulate layer upon layer, 

I once thought that the scabs were the profound stamps of existence. 

腥氣與痛意堆積 / 以為痂殼是存在的戳印 

2: The superfluous things are squeezed into undulating hills, 

There surges the stench of acidity, putridness, bitterness and the smell of blood. 

多餘的被勒成山丘 / 翻出胃的酸腥溶解身體 

3: The tides silently encroach upon the embankment of the womb, 

And I am the battered and leaking solitary ship. 

潮汐漫上子宮的堤岸 / 我是一艘漏水的船 

Woodblock Print, Mixed media 

水印版畫, 混合媒介 

Set of 3, 58.2 x 58.7 cm each 

Looking back on myself who affirmed my own existence through physical pain and sensory experiences. The work uses the apple as a symbolic symbol. Taking personal physical memories as the entry point, it focuses on the “smell of blood”. It transforms physical pain and psychological burnout into visual language, and applies the Proust effect, attempting to construct the exclusive memories of the audience through external stimuli. 

回望過去通過身體疼痛與感官體驗確證自我存在的自己。作品用蘋果作為象徵符號，以個人身體記憶為切入點，聚焦於 「血腥味」。將生理疼痛與心理內耗轉化為視覺語言，並運用普魯斯特效應，嘗試通過外界刺激構建觀眾的專屬記憶。