Tan Kee Cha Chaan Teng (Mock TVC) is a fictional television commercial set in an imaginary Hong Kong restaurant that merges two culturally distinct icons: the traditional Cha Chaan Teng and the pinball machine. Drawing inspiration from Japan’s Kura Sushi and its ‘Bikkura Pon!' reward game, the work transplants a playful hybrid dining experience into a Hong Kong context. Rendered entirely in a virtual 3D environment, the work simulates a hyper-reality of cultural hybridity through the language of commercial media. 

What if our human’s perspective is reversed in a single-channel video work that transposes the logic of reverse perspective into a real-world visual experience — a spatial system in which objects grow larger as they recede and smaller as they approach. Produced by using Gaussian Splatting and custom Open Shader Language lenses, the work is accompanied by a binaural soundscape that mirrors this inversion: distant sounds become clear and close, while nearby sounds feel hollow and distant. Together, the image and sound challenge the viewers to reconsider whether space is an objective reality or a construct of human perception. 

Focus Is Loss is an interactive installation that links the viewer’s gaze to a robotic arm-mounted projector via a headset equipped with an IMU sensor, creating a real-time feedback loop processed through TouchDesigner. Three sets of dynamic geometric images are mapped onto an L-shaped white board to produce a depth-based parallax illusion; within the projected scene, one of the geometric objects carries a subtle difference, and the viewer’s sustained gaze upon it triggers a chain reaction in which the scene resets across ten successive stages. The work materialised the psychological phenomenon of Change Blindness, drawing on the formal strategies of Donald Judd to question how focused attention creates perceptual blind spots.