Cheuk Yan Wong is an artist based in Hong Kong. His practice explores the relationship between memory, emotion, and information. With an early background in design, he developed an interest in visual structure and the organisation of information. His works has gradually shifted towards installation and media-based practices, examining how memory is perceived, preserved, and represented. He focuses on how personal experiences and sensory impressions can be translated into visible forms. 

In his recent works, Wong turns his attention to digital communication and data, reflecting on how everyday conversations, voice messages, and images can exist beyond their lack of physical form. Using weaving as a method, he draws inspiration from the encoding logic of the Jacquard loom, translating digital information into colour, texture, and structure. 

Through this process, information is re–organised and simplified, resulting in partial loss and transformation. His works invite viewers to reconsider the emotions embedded in everyday communication and how digital fragments may be preserved and understood in new ways. 

黃綽恩來自香港。其創作關注記憶、情感與資訊之間的轉譯關係。早期修讀設計的經歷，使他對視覺結構與資訊組織產生興趣，而其後逐步轉向以裝置與媒體為主的創作，探索記憶如何被感知、保存與再現。其作品經常游走於具體與抽象之間，關注個人經驗與感官感受如何被轉化為可被觀看的形式。 

在近期創作中，他將焦點轉向數碼溝通與資料。思考日常對話、語音與影像等數碼痕跡如何在缺乏實體載體下被理解及延續。透過編織作為手法，他借鑑雅卡爾織布機的編碼邏輯，將數碼資訊轉化為顏色、紋理與結構，形成一種介於可讀與不可讀之間的視覺語言。 

在轉譯過程中，資料被重組、簡化，不可避免地產生流失與偏差。他的創作嘗試讓觀者重新感受日常對話背後的情感與痕跡，並思考這些數碼片段如何被保留與理解。