My practice confronts the repetitive rhythms of urban life by creating interactive objects that invite playful rebellion. The Courage Challenge Series – featuring calendars, plush pillows, and character-based stationery – encourages young people to embrace small, unconventional acts daily. Through whimsical visuals and tactile comforts, I aim to dismantle the pressure to conform, suggesting that joy lies just beyond routine. Each piece is a tangible prompt to reclaim agency, explore freely, and define happiness on one's own terms – because life, after all, is too vast to be lived inside a box. 

我的創作直面都市生活的重複節奏，通過可互動的物件，邀請觀者進行一場充滿玩趣的「反叛」。《勇氣挑戰》系列包含日曆、抱枕及角色周邊，鼓勵青少年每日嘗試微小而不尋常的行動。藉由奇想的視覺與撫慰的觸感，我希望消解「必須從眾」的壓力，暗示快樂總在常規之外。每一件作品都是一個具體的提醒：重拾自主、自由探索，並以自己的方式定義快樂,畢竟，生命如此遼闊，不該被困在框框之中。 

Return with Full Load transforms a canvas into a monumental pillow, inviting weary urban dwellers into an embrace of collected beauty. Painted with acrylic, its surface compiles icons of universal wonder – the Golden Ratio, Venus, roses, waterfalls, and planets – a visual atlas of serenity. The interactive manta ray mouth invites discovery, while the plush form offers tactile comfort. In a city defined by rush, this work is a quiet manifesto: to pause, to hold, and to remember that beauty is not a luxury, but a necessary anchor for the soul. 

《滿載而歸》將畫布轉化為巨大的抱枕，邀請疲憊的都市人擁抱一場被珍藏的美。以塑膠彩繪製的表面，匯集了跨越文化的寧靜符號：黃金比例、維納斯、玫瑰、瀑布與行星，宛如一幅寧靜的視覺地圖。魔鬼魚造型的可開合嘴巴，鼓勵探索與互動；柔軟的形體則給予觸覺上的慰藉。在這座以匆忙定義的城市裡，這件作品是一份輕聲的宣言：停下來、抱一下，並記住美不是奢侈，而是心靈必需的錨。 

Farewell at the West Tower is a calligraphic meditation on parting and longing, rooted in personal moments of watching my mother leave. The work begins in meticulous regular script (kaishu), which is calm and restrained, holding unsaid emotion. Then, it shifted dynamically into running script (xingshu), where brushstrokes flow with rising urgency, mirroring the heart's unspoken words. Characters vary in size and weight, tracing lyrical phrases like "I write not for sorrow, but for your glance back." The piece culminates in the bold, anchored character shou (to guard), as a visual promise to hold memory, tenderness, and hope within the quiet act of waiting. 

《西樓別序》是一幅以離別與等待為題的書法冥想，源自目送母親遠去的個人記憶。作品始於工整的楷書，平靜、克制，壓抑著未言之情；其後轉為流動的行書，筆劃隨情感攀升而愈見奔放，如心底話終於傾瀉。字形大小粗細變化，呼應著「我提筆不為離愁，只為你轉身回眸」等詞句的韻律。全作以濃重而穩固的「守」字收筆，這不僅是視覺上的句點，更是一份無聲的承諾：在等待中，守住回憶、溫柔與期盼。