Set of two installations Two-channel video installation (color, sound) 

一系列兩件裝置  雙頻道錄像裝置（彩色，有聲）   

Duration variable, size variable 

時長可變，尺寸可變 

In the East Asian family context, birth is often seen as the starting point of debt. A mother’s sacrifices become credit, while a child’s growth unfolds as an eternally unpayable debt. When love is precisely measured, the relationship evolves into a game of expectations and compensation. 

The work presents the synchronous misalignment between my mother and I. We strive to draw near, yet miss each other again and again as if by fate. Each attempt at convergence becomes mutual abrasion. We can never meet each other’s expectations, only tug at one another painfully, over and over. 

在東亞家庭語境下，出生常被視為債務的起點。 

母親的犧牲化作債權，孩子的成長則是一場永遠無法償清的債。 

當愛被精確計量，關係便了成一場關於期待與補償的博弈。 

Gouged Out 剜出的

Single-channel video, monitor, arched steel pipe, lounge chair, stereo speakers

單頻道錄像，螢幕，拱形鋼管，休閒椅，雙聲道揚聲器

Duration variable, 190 x 67 x 84.5 cm

時長可變，190 x 67 x 84.5 釐米

Within, it flows unnamed.

Through a wound, it becomes you.

在體內，它無名湧動。

穿過傷口，它成了妳。

Not as You Wish 無法如妳所想地

Single-channel video, monitor, linear actuator, stamp, linear shaft, stereo speakers, carpet

單頻道錄像，螢幕，直線伸縮馬達，印章，光軸，雙聲道揚聲器，地毯

Duration variable, 80 x 110 x 41 cm

時長可變，80 x 110 x 41 釐米

You are a circle gouged from my life,

yet never whole as I wished.

妳是我從命裡剜出的一個圓，

卻無法如我所想地周正圓滿。