Yu Chak Kuen is an artist based in Hong Kong, deeply drawn to the complexities of human trauma as the core of his creative practice. Through media including sculpture, electronic media, and installations, he explores the raw, often unspoken wounds that shape our existence, transforming personal and collective pain into visual narratives that provoke reflection and dialogue. 

His latest series, centered on the motif of scars, delves into how trauma evolves into profound expressions of humanity and progress. Scars, both literal and metaphorical, symbolise resilience — the remnants of suffering that heal over time, revealing layers of vulnerability, strength, and transformation. In these works, he blends tactile forms with digital elements to mirror the interplay between physical scars and emotional ones, thus questioning how adversity fosters empathy, innovation, and societal advancement. For instance, installations featuring interactive projections on sculpted bodies invite viewers to confront their own histories, turning passive observation into active introspection. 

余澤權是一位來自香港的藝術家，他深深被人類創傷的複雜性所吸引，並以此作為創作實踐的核心。透過雕塑、電子媒體和裝置等媒介，他探索那些原始而往往未被言說的傷口。這些傷口塑造了人類的生存，而他將個人與集體的痛苦轉化為視覺敘事，激發反思與對話。 

他最新的系列作品以傷疤為主題，深入探討創傷如何演化為人性與進步的深刻表現。傷疤，無論是字面還是隱喻的，都象徵著韌性——那是苦難的遺跡，隨著時間癒合，揭示出脆弱、力量與轉變的層層面貌。在這些作品中，他融合觸覺形式與數位元素，映照身體傷疤與情感傷疤之間的互動，質疑逆境如何孕育同理心、創新與社會進步。例如，裝置作品透過互動投影在雕塑身體上，邀請觀眾面對自身的歷史，將被動觀察轉化為主動內省。